CARGO DEMO TEMPLATE




PROFILE (SAMPLE)
hello@example.com
Instagram

Vestibulum et dignissim magna. Nullam at ultrices felis. Suspendisse facilisis sagittis sem sit amet tempor. Nam sit amet nibh et enim laoreet porta sit amet vel purus. Maecenas augue velit, feugiat in maximus id, auctor vel ex. Integer placerat massa nec tellus.

CONTACT
CV 




Education
MFA Fine Art, Goldsmiths, University of London— 2024–2026 (in progress)

BA 3D Animation, Central Academy of Fine Arts, City Design School, Beijing, China — 2020–2024




Employment Creative & Technical Artist (Animation & Video)
Independent short advertisements and artistic video projects; Unreal Engine 72-Hour Creation & Independent Game Competition; Wonderful World International Student Media Art Festival
2022 – 2023

Class Representative, 3D Animation Studio
Central Academy of Fine Arts, City Design School, Beijing
2022 – 2024

Deputy Director, Student Union Organisation
Central Academy of Fine Arts
2021 – present

Design & Visual Communication Participant
“Challenge Cup” National Competition; Tencent QQ × Central Academy of Fine Arts Prop Co-Creation Activity; “Qing Zhen Beijing Suburbs” Design & Marketing Challenge
2022 – 2023

Community Engagement & Volunteer
Beijing 2022 Winter Olympic Games; Zhuzhou Wall Painting Project (public murals)
2021 – 2022

Guide & Assistant / VIP Guide
Guangzhou Shunli Space at Beijing Contemporary Art Fair; Beijing FIRST Image Art Fair
2023


ReferralsZaman, Rehana | Senior Lecturer, Culture and art | Goldsmiths, University of London | r.zaman@gold.ac.uk


Skills
InDesign, Photoshop, Illustrator, Blender, ZBrush, Maya, Unreal Engine 5,  Premiere Pro, TouchDesigner, Ableton Live.



Exhibitions
Researched light narrative as a core artistic direction and presented work in the group exhibition Dispersion at 16–18 Ballast Quay and Garden Wharf.



AwardsExcellent Award, 3rd Unreal Engine 72-Hour Creation & Independent Game Competition
Animation and game project
2022

Best Technology Award, 4th Wonderful World International Student Media Art Festival
Experimental media / animation work
2023

Gold Medal, “Qing Zhen Beijing Suburbs” Design & Marketing Challenge
Branding, packaging, and campaign design
2023








Last Updated 24.10.31
3D WORK




 


1. Charred And Rotten Narcissus (2023)
   Digital version, photoThe original name of the daffodil is Narcissus, which is the psychological term for narcissism, derived from the Greek myth of Narcissus. Extracting the imagery element of the daffodil and the physical symbol of Narcissus gazing at his own reflection in the water, the daffodil as a symbol responds to the individual.

In the corresponding era appearance on the Internet. Plato's cave theory holds that we are all shadows on the wall. In the post-truth context, individuals have difficulty distinguishing what is true. I respond to this by creating a scene as an underground river cave.



See the video.

2. How to survive a super long commute（2024）
   Video, 2 min 35 sec

 It is imagined that the problem of excessive commuting time will become increasingly severe in the future. The project will try to discuss and deal with this social problem in the virtual space with the method of speculative design. A series of experimental solutions have been proposed to explore possible ways to improve the commuting situation.

Through the design of a series of virtual wearing devices, the commuting is viewed from a new perspective, so as to stimulate the public to deeply think and pay attention to this social phenomenon. 



See the video
Behind the scenes
3. Invasion and Complement Each Other (2023)
Single-channel video, variable dimensions, 2′58″
Civilization restarts in cycles. The interplay and fusion between nature and industrial civilization. Inviting reflection on humanity’s progress and development.


This is a collaborative team project. Each member is responsible for specific scenes and tasks, contributing to different aspects of the production process.

  • Lin Yifei (Team Leader) – Responsible for scenes sc01-1, sc01-2, sc03-3, sc05-1, sc05-2. Focus areas include scriptwriting, storyboarding, editing, and soundtrack design.

  • Zhang Guihao – Responsible for scenes sc02-1, sc02-2, sc02-3, sc02-4. Focus areas include scriptwriting, storyboarding, editing, and soundtrack design.

  • Ming liheshan – Responsible for scenes sc05-1, sc05-2. Focus areas include storyboarding, character rigging, and UV mapping.

  • Song Chenfei – Responsible for scenes sc03-1, sc03-2, sc04-1, sc04-2. Focus areas include storyboarding, presentation (PPT), and rough cut editing.




See the video
Behind the scenes
4.  Quest（2023）
    4’53”, digital, variable dimensions This short film was created in just 72 hours for the 72-Hour Unreal Engine Rendering Contest hosted by the Communication University of China. Quest is both a technical challenge and an artistic journey, exploring humanity’s eternal struggle between instinct, survival, and the search for meaning.




5.  Character Workflow Practice（2022）
    digital, variable dimensions
     A Character Study is a 3D practice project that explores the complete character creation pipeline. From modeling, retopology, sculpting, UV unwrapping, texturing, and material creation, to lighting and final rendering, every step was carried out as a workflow exercise.

The project aims to strengthen technical proficiency while experimenting with visual style, presenting a cohesive workflow from concept to final render.



see the video

6. under erasure(2024)
   1’55”, digital video, variable dimensions The inspiration for this project came from the observation of how mistakes are repeatedly corrected yet never fully eliminated—each correction leaves behind a trace. This process echoes Derrida’s notion of “under erasure”, where meaning is simultaneously erased and preserved, never fully disappearing.

Through the case of NEETs (Not in Education, Employment, or Training), the work examines how structural mismatches, economic instability, and lack of social mobility create a cycle of exclusion. Erasure here becomes both a lived reality and a metaphor for how individuals and communities are left in-between: neither fully recognized, nor fully erased.

Methodologically, the project adopts a performative approach, combining a virtual narrator’s voice with fragments of found poetry, selectively “erasing” parts of text to generate new meaning.

This experimental exploration invites viewers to reflect on the tension between social precarity and the persistence of identity, revealing how acts of erasure expose the fragility of today’s cultural and social order.





7. Test Project
 Wie Venedig Sehen
Lothar Baumgarten, 1984

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In porta ex a porta blandit. Suspendisse feugiat justo at mauris molestie molestie. Ut mattis urna sed sem pulvinar, vitae rutrum nulla ultrices. Curabitur laoreet erat et sapien venenatis luctus.




8. Test Project
 Exhibition invite postcard
Alfred Jensen, 1991
Pace Gallery  

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In porta ex a porta blandit. Suspendisse feugiat justo at mauris molestie molestie. Ut mattis urna sed sem pulvinar, vitae rutrum nulla ultrices. Curabitur laoreet erat et sapien venenatis luctus.





© CARGO TEST 2027